
Shaktipeeth
Vaidyanatha
Mata Parvati mandir, Shree Baba Baidyanath Jyotirlinga Mandir Deoghar
- Devi
- Jayadurga
- Bhairava
- Vaidyanatha
- Place
- Shivganga Muhalla, Jharkhand, India
Samshaktipeeth
Rajrappa Mandir
Rajrappa, Jharkhand 829150
Rajrappa Temple is a major tantric shrine of Chhinnamastika at the confluence of the Bhairavi and Damodar rivers. The dramatic riverside setting and long sacrificial tradition make it a leading Shakti centre of Jharkhand.

Rajrappa Mandir, commonly known as Maa Chhinnamastika Temple, is located in Ramgarh district, Jharkhand, at the dramatic confluence of the Bhairavi and Damodar rivers. The shrine is dedicated to Chhinnamasta, the self-decapitated form of the Divine Mother and one of the Mahavidyas of Tantric Shaktism. A natural rock form covered by a metal kavacha is worshipped as the goddess. The meeting of the swift Bhairavi with the broader Damodar gives the temple a powerful landscape setting that is closely interpreted through Tantric symbolism.
Regional Shakti Peetha tradition associates Rajrappa with the place where Sati’s head fell. The goddess is worshipped as Chhinnamastika, and Kabandha is named as the accompanying Bhairava in the source tradition used by this database. This identification is widely repeated in local accounts but is not consistent across every principal classical Peetha list; it should therefore be retained as an established regional tradition.
Chaitra and Sharad Navratri are major festival periods, with special worship and increased pilgrimage. Makar Sankranti also brings large gatherings to the riverside area. Ritual offerings, including a long-standing sacrificial tradition, form part of the temple’s living practice. Rajrappa is significant not only as a regional Peetha but also as one of eastern India’s best-known Chhinnamasta temples, where theology, river geography and popular devotion meet.
Rajrappa tradition associates Sati's head with the Chhinnamastika shrine and names Kabandha as Bhairava. This identification is prominent in regional Shakti Peetha accounts, although it is not consistent across every classical list. The attribution should therefore be described as an established local tradition.

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